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I've had two other pieces of Japanese cutlery in my kitchen for years, both of which were purchased in L.A.'s Little Tokyo: a yanagiba for delicate slicing of fish for sushi and a Shigemitsu deba bocho for the heavier fish prep. Otherwise, my block set of stainless steel has plodded along for many years. Why upgrade my cutlery now? Because after a lifetime of learning how to create the tastes I want, I'm looking for a better presentation--clean, precise edges being part of a polished look. It took two days of intensive research online to decide on the Hattori HD 7 Gyuto and the soon to arrive Misono 130mm Sweden Steel Petty.
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There is another line of kitchen knives originating in Japan. During the US occupation of Japan after WWII, the creation of samurai swords was prohibited and the generations of knowledge about the hand-forging of blades was nearly lost. Some of the sword smith families, primarily in the city of Sakai carried this knowledge forward into the present and are making kitchen knives in the same tradition. A truly hand-made chef's knife costs thousands of dollars, so they also manufacture affordable knives using factory manufacture with some hand finishing.
Dozens of specialized knives appear in a Japanese professional kitchen, including a Takohiki just for preparing octopus and a Udon-Kiri for slicing noodles. The main tools for prepping vegetables in a Japanese kitchen are hybrids of the tradtional and modern. A Santoku is the "cook's knife" equivalent (the Japanese style is a Gyuto), a Nakiri is a thinner version of the Chinese cleaver and the Petty spans the size from paring to utility knife. The traditional Japanese knife (though they now make traditional forms with European edges) is straight on one edge and beveled on the other, or beveled just 30 percent on one side and 70 degrees on the other. This also makes a sharper edge possible and gives a cleaner cut. European style knives are bevelled evenly, 50/50, like a "V".
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What made samurai swords so sharp and capable of the grisly body tests described above was the technique of lamination and layering. The Japanese discovered a solution to the dilemma of steel--that softer steel is sharper but isn't as durable and hard steel, though it withstands shock and force better is not as sharp. They came up with a method of encasing a core of softer steel inside a protective outer sheath with the soft steel exposed at the edge for maximum sharpness. Their swords were not only layered from hard outer to softer inside, but each of the steels was hammered out repeatedly and folded over, creating layers within the steel and driving out any impurities that could weaken the metal. Small crystals in the metal, some barely visible to the naked eye, give the hand-forged Japanese blade a misty glow, the patterns of which are used by fine art sword experts and collectors to assess the age and provenance of a samurai sword. If you have the chance to see a fine example of this artistry, please appreciate the beauty that has gone into the creation of it. There are some fine blades in the "Lords of the Samurai" exhibit at the Asian Art Museum of San Francisco.
(*note: since this post, I bought a Shun Chef's knife at Sur la Table and have been using it the most of all my large knives as it has more weight than the Hattori, making it more useful for the wider range of cutting jobs. I still love to use my Hattori Gyuto for fine knife work with vegetables. I also bought an inexpensive Swiss Kuhn Rikon that never needs sharpening and use it more than my expensive Wusthoff or Misono. Just $9.95!)
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